What will we be like when we get there (Premiere 2018 at New York Live Arts, NYC)

The New York Times Speaking in Dance feature

This Week in New York, March 2018

“Kotze takes advantage of every part of the New York Live Arts Theater, immersing the audience in the vast unpredictability of life in the twenty-first century through an exhilarating controlled chaos”

Solomons Says, March 2018

"Kotze’s solo displays her uncanny ability to go from careening out of control to instantaneously balancing on a dime. Her body is a miracle of articulation; every motion etches itself in space. Her kinetic essence automatically organizes chaos, making her dancing profoundly clear."

Joanna Kotze and Jonathan Allen Interviewed for Bomb Magazine by Zachary Fabri

Joanna in conversation with Bill T. Jones

Joanna Kotze and Jonathan Allen on Whats Going on With Dance and Stuff podcast

Martha’s Vineyard Times Preview, June 12, 2019

“David R. White, artistic director and executive producer of the Yard, puts the cutting-edge work in perspective: “I do think form can be political although not necessarily in a didactic or literal sense. In the case of this collaboration, one might say ‘the center doesn’t hold.’ The work goes from a kind of intimacy into a world where things fly out of control. One might see the politics — which are conceptually inherent in this piece — as being a reflection of the chaotic, tornadic times in which we are living.” - Wendy Taucher

un petit peu plus (commission for Toronto Dance Theatre)

The Globe and Mail, International Series Brings Essence of New York to Toronto Dance Theatre, Martha Schabas, February 12, 2016

"Kotze is so skilled at drawing the parameters of her off-kilter world, that we come to recognize what can be uniquely funny inside of it."

The Star, Energetic dance live from New York and Toronto, Michael Crabb, February 12, 2016

"Kotze’s work is quirky, exuberant and good-humoured. In fowl-like fashion, dancers flap arms or jut heads. They run, sashay and stomp; none of the angst that too often weighs heavily on Euro-dance."



D.C. Dance Watcher, Found Among Chaos, Lisa Traiger, April 25, 2015

"The work lives in real time – and speaks to audiences today who find the charm, lively brightness and vivid beauty, and the unholy mess of their own lives in Kotze’s poetic piece."

"Kotze’s dance is a dance of life, vivid, chaotic, unexpected, moments of subtly and unbridled hamminess, joyful and reserved."

"...examines space as both a performative and a static environment while drawing the audience to come to its own  conclusions about the work that rattles expectations about dance and art, collaboration and individuality, harmony and tension."

Broadway World, Excavating the Complexities of Collaboration, Brendan Drake, October 1, 2015

"Collaborations in Dance often operate on the following formula: Choreographer and designated visual, film and/or sound artist decide to collaborate. They meet, they discuss, they agree on a concept, they work independently for several months. The resulting piece is a dance with supported sound and visuals , and we don't see collaboration. It becomes just about the dance, not about crossing disciplines or being inspired by one another. This disconnect is symptomatic of an increasingly insular and bland dance community. If this disconnect is the status quo, then choreographer Joanna Kotze's "Find Yourself Here" at Baryshnikov Arts Center is an act of rebellion."

Culturebot, FIND YOURSELF HERE, Rennie McDougall, September 25, 2015

"What emerges is a fascination in form, its construction and degradation, and the driving necessity to define and redefine oneself in space."

Active attention to form is the fore-grounded performative action in FIND YOURSELF HERE – the title implies this active self-awareness; locate yourself, do it now."

Baryshnikov Arts Center, BAC Stories, Aaron Mattocks, December 15, 2013

"They both keep dancing.  Moments of silence, of stillness, shock with power.  When they finish, I am speechless."


The rest of everything (commission for the James Sewell Ballet Company)

Star Tribune, James Sewell Ballet: Ballet or something else?, Sheila Regan, February 10, 2015

"Of the four dances, New York-based choreographer Joanna Kotze’s “The Rest of Everything” takes the largest leap into the form of ballet, breaking it open for a look."


It Happened It Had Happened It Is Happening It Will Happen

The New York Times, Learning the Uses of Disorder, Gia Kourlas, June 4, 2013

"As a dancer, Ms. Kotze possesses such clarity of intention that even when she’s losing her balance in an off-kilter position, her body has a natural way of organizing itself. There’s a bit of Lucinda Childs in her coolly beautiful, aristocratic exterior."

"...that’s what “It happened” is all about: leaving room for uncertainty."

The Columbus Underground, Award-Winning Choreographers Kimberly Bartosik/daela and Joanna Kotze at Wexner Center, Richard Sanford, 2018

"This evening of dance promises to be a gem of this spring season. Anyone with a love of physical art happening right now and a taste for adventure: do not miss this."

Dance Beat, Three Choreographers Grace a Busy Week, Deborah Jowitt, January 14, 2014

"I’m always finding out new things about these people and this place, surprised by what they decide to do next or what has just filtered from their memories into behavior.  What happened?  For sure, a little marvel of a dance."

The Dance Enthusiast, Collaborative Meldings of Time and Space, Veronica Hackethal, May 24, 2013

Interview: "Recently Kotze spoke with The Dance Enthusiast about her upcoming performance, her sources of inspiration, and her creative process."

Critical Correspondence, Joanna Kotze in conversation with Jesse Zaritt, May 29, 3013

Interview: "Dancer/choreographer/educator Jesse Zaritt talks with dancer/choreographer Joanna Kotze about her creative practices and choreographic investigations, the role that New York has played in her development as an artist, her trajectory as an architect-turned-dance student, and the notions of perception and audience experience."


The "Bessie" Award

The New York Times, Darrell Jones and Joanna Kotze Win Bessie Awards for Choreography, Felicia R. Lee, July 17, 2013

"Joanna Kotze won the Outstanding Emerging Choreographer Award for her work, “It happened it had happened it is happening it will happen,” which was also presented at Danspace Project. "


Between You and Me

Solomons Says, SPLICE: DUETspaceQUARTET, Gus Solomons Jr., October 30, 2011

"Kotze’s vocabulary is richly articulated and dynamically unexpected; from a moment of equipoise, she’ll suddenly lurch in the least likely direction and manage to catch herself without crashing to the ground."

Infinite Body, A SPLICE of life, Eva Yaa Asantewaa, October 16, 2011

"Kotze's duet, Between You and Me, sports one of the most elegant and dazzling--and fragile! watch your step!--sets I've seen at DNA, and one that's quite nicely adaptable to DNA's columns."

Culturebot, Raw Material, Jeremy Barker, October 11, 2010

"In other words, it was a lovely and thoughtful use of space and the geometry of performance which is, unfortunately, often lacking in emerging artists. Kudos."